This Drifting Excrement Was Way Too Meaningful! These Are the Television Letdowns of the Past Year.

Looking back, we consider the television offerings of the past year, a handful of series stand out not for their excellence, but for their notable failures. From cringe-inducing sequels to bafflingly poor documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Plagued with woeful scripts, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. For a moment, as the third series began, it looked like it had finally found its groove. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the last series. It concluded on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, viewers undeniably found joy picking apart every single “wtf?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this show's problems. The subject of a exceedingly uncommon zero star review, it was difficult to know where to start listing the problems. The hilariously wooden dialogue? The tedious veneration of affluence and materialism? The almost deliberate procession of tropes? Acting so bad they felt almost malicious? Suffice it to say “all of the above” and never speak of this show again. Except, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of reckless hedonism while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might induce should be saved for the people who have had to suffer proximity with this charming but flippant narcissist.

The Iris Affair

Of course we knew it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t endure the ignominy of having to indulge baffling dialects. But there were plenty of other issues. Primarily that it was just really dull; a conflict over narcotics territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into quaint homemaking as intentional provocations. But then you watch them and are forced to admit that actually, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for evening drinks with ideas of grandeur; a procession of sleeping dogs, humming beehives, Hallmark platitudes and pointless crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about both Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for some reason, this three-part series chose not to explore them. Instead, the viewing was akin to consuming a sales catalogue. She clearly has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this guarded letdown of a series.

The Game Show

It had the potential to be the next big hit – except even camper, with a famous star as a deceased benefactor and a well-known personality managing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up smelling of a production that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The pressure was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very glossy and, ironically, was not enough. Plus, the abundance of famous cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of gifted younger comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have remained in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, slightly stylised farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.

Prime Target

We admire the star … but did we buy him playing the most brilliant maths genius since, a man so intelligent he’s on the brink of a breakthrough that could ruin society? No! This international thriller about government agencies targeting – and eliminating – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for explicit exploits as she prepared for her most extreme feat yet. What on earth would possess her? What we craved was far greater examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was disturbing imagery and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Christopher Carlson
Christopher Carlson

A tech strategist with over a decade of experience in digital innovation and platform development, passionate about emerging technologies.

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